The Indian Express | 2 months ago | 24-03-2023 | 01:45 pm
There is a dearth of romantic dramas in Hindi cinema now. But there was a time when filmmakers were obsessed with the romantic genre. Romantic films with a wide variety of plots and also the classic tropes: enemies-to-lovers romance, romance with parental restraints, college campus romance, and childhood friends-to-lovers romance, were available in abundance and even found an audience. Of course, watching a meet-cute of the hero and heroine, then seeing them falling in love and fighting the odds to stay together, is always pleasurable.So, with nothing good coming out of the genre and trying to get over the terrible aftertaste of Luv Ranjan’s trashy Tu Jhoothi Main Makkaar, I decided to watch the widely appreciated 1981 rom-com, Chashme Buddoor. In all honesty, the other reason for me to go back two decades to find a romantic drama is my love for Deepti Naval and Farooq Sheikh as an on-screen couple. I was in awe of the simplicity the two stars brought on-screen in their 1982 film, Saath Saath.Chashme Baddoor, directed by Sai Paranjpye, is the story of college graduate Siddharth (Farooq), who, unlike his two friends and roommates, Omi (Rakesh Bedi) and Jomo (Ravi Baswani), is engrossed in books. The posters on his walls are world leaders and not pin-ups like Jomo or ‘sher-o-shayari’ that Omi prefers. Like many college graduates, he often ends up at a local paan and cigarette stall owned by Lallan Miyan (Saeed Jaffrey) with no money. His life changes with the entry of Neha ‘Miss Chamko’ Rajan (Deepti).The meet-cute of Siddharth and Neha is charming given its simplicity. She appears on his doorstep to give a sample of a detergent powder (Chamko). He tries to shoo her away with excuses. One of them being, “Mujhe kahin jaana hai, aap baad mein aaiyega (I have to go somehwre, please come later)“. This reminded me of simpler times when my mother would tell me to send away salespeople by saying, ‘Mummy ghar par nahi hain, baad mein aana.’ But, ‘Ms. Chamko’ has a target to achieve and insists on showing a demo.When Ms Chamko waits five minutes for her detergent powder to do its magic on Siddharth’s already clean towel, they have a ‘real’ conversation. They discuss each other’s interests, he offers her a homemade laddoo in a cup (of course, how can you expect a bachelor pad to have proper utensils), and they fall for the other. Behind this, there’s the comic effect of ‘Hum Tum Ek Kamre Mein Band Ho’ followed by Siddharth opening the door to make his intentions clear. This entire scenario might be hard to comprehend for a generation that can’t look up from their phones for a second – let alone invite someone in for five minutes.While creating Neha and Siddharth, Paranjpye made sure not to make fantastical people out of them. Just like Saath Saath, here too, Farooq looks like every man with nothing heroic about him. He is no pushover when he tries to woo Deepti. In fact, it is fun to watch Siddharth and Neha make fun of Bollywood’s classic trope of lovers breaking into a song randomly in a park – empty despite the country’s population with a string quartet and lyrical genius to boot.Paranjpye, in her autobiography ‘A Patchwork of Quilt: A Collage of My Creative Life’, had written that the bachelor pad of Siddharth, Jomo, and Omi was in a Defence Colony barsaati. Had I been unaware of this, it would have been difficult to believe that the film was set in the capital. The Delhi shown in the movie is a Delhi that I have never known. At one moment, I exclaimed, ‘This definitely can’t be Delhi, nowhere is there a pond – let alone this clean.’Chashme Buddoor rewards the simplicity of its lead actors and is comforting to its viewers. That is if you ignore the problematic behaviour of Omi and Jomu who chase women on streets and in parks and refer to them as ‘shikaars‘. For instance, when a girl is waiting for a bus, the duo stop their bike nearby to check her out from head to toe. Not just them, Siddharth pushing Neha to quit her salesperson job after he’s hired is a massive red flag.Many might argue that it was ‘made in that era’. That era or this, stalking, possessive behaviour of lovers, and casual sexism are all major red flags, and you can’t just ignore them in the garb of a film being a celebrated classic.Chashme Buddoor can be watched for its well-meaning performances, not just from Farooq and Deepti, but from every actor and well-intended script. This movie showed the millennial me that there were simpler times when even a film’s hero and heroine were identifiable people. But what stops me from strongly recommending it is the voyeuristic overtures of its support cast.
Tagged: |